[{"alternative_title":["a musical installation for a new listening perspective"],"conference":{"location":"Graz, AUSTRIA","end_date":"2020-09-17","name":"15th International Audio Mostly Conference (AM)","start_date":"2020-09-15"},"type":"conference_editor_article","publication_status":"published","status":"public","date_created":"2025-04-24T07:46:39Z","department":[{"_id":"DEP2000"}],"year":"2020","publisher":"ACM","page":"245-248","_id":"12857","place":"New York, NY","citation":{"chicago-de":"Berndt, Axel, Simon Waloschek, Aristotelis Hadjakos und Joachim Veit. 2020. <i>Inside Beethoven!</i> Hg. von Katharina  Groß-Vogt. <i>Proceedings of the 15th International Audio Mostly Conference</i>. New York, NY: ACM. doi:<a href=\"https://doi.org/10.1145/3411109.3411115\">10.1145/3411109.3411115</a>, .","mla":"Berndt, Axel, et al. “Inside Beethoven!” <i>Proceedings of the 15th International Audio Mostly Conference</i>, edited by Katharina  Groß-Vogt, ACM, 2020, pp. 245–48, <a href=\"https://doi.org/10.1145/3411109.3411115\">https://doi.org/10.1145/3411109.3411115</a>.","ufg":"<b>Berndt, Axel u. a.</b>: Inside Beethoven!, hg. von Groß-Vogt, Katharina, New York, NY 2020.","havard":"A. Berndt, S. Waloschek, A. Hadjakos, J. Veit, Inside Beethoven!, ACM, New York, NY, 2020.","din1505-2-1":"<span style=\"font-variant:small-caps;\">Berndt, Axel</span> ; <span style=\"font-variant:small-caps;\">Waloschek, Simon</span> ; <span style=\"font-variant:small-caps;\">Hadjakos, Aristotelis</span> ; <span style=\"font-variant:small-caps;\">Veit, Joachim</span> ; <span style=\"font-variant:small-caps;\">Groß-Vogt, K.</span> (Hrsg.): <i>Inside Beethoven!</i> New York, NY : ACM, 2020","apa":"Berndt, A., Waloschek, S., Hadjakos, A., &#38; Veit, J. (2020). Inside Beethoven! In K. Groß-Vogt (Ed.), <i>Proceedings of the 15th International Audio Mostly Conference</i> (pp. 245–248). ACM. <a href=\"https://doi.org/10.1145/3411109.3411115\">https://doi.org/10.1145/3411109.3411115</a>","chicago":"Berndt, Axel, Simon Waloschek, Aristotelis Hadjakos, and Joachim Veit. <i>Inside Beethoven!</i> Edited by Katharina  Groß-Vogt. <i>Proceedings of the 15th International Audio Mostly Conference</i>. New York, NY: ACM, 2020. <a href=\"https://doi.org/10.1145/3411109.3411115\">https://doi.org/10.1145/3411109.3411115</a>.","bjps":"<b>Berndt A <i>et al.</i></b> (2020) <i>Inside Beethoven!</i>, Groß-Vogt K (ed.). New York, NY: ACM.","short":"A. Berndt, S. Waloschek, A. Hadjakos, J. Veit, Inside Beethoven!, ACM, New York, NY, 2020.","ieee":"A. Berndt, S. Waloschek, A. Hadjakos, and J. Veit, <i>Inside Beethoven!</i> New York, NY: ACM, 2020, pp. 245–248. doi: <a href=\"https://doi.org/10.1145/3411109.3411115\">10.1145/3411109.3411115</a>.","van":"Berndt A, Waloschek S, Hadjakos A, Veit J. Inside Beethoven! Groß-Vogt K, editor. Proceedings of the 15th International Audio Mostly Conference. New York, NY: ACM; 2020.","ama":"Berndt A, Waloschek S, Hadjakos A, Veit J. <i>Inside Beethoven!</i> (Groß-Vogt K, ed.). ACM; 2020:245-248. doi:<a href=\"https://doi.org/10.1145/3411109.3411115\">10.1145/3411109.3411115</a>"},"date_updated":"2025-06-26T09:01:06Z","publication_identifier":{"isbn":["978-1-4503-7563-4"]},"abstract":[{"text":"On the occasion of the 250th anniversary celebrations of Ludwig van Beethoven in 2020, we developed the musical room installation \"Inside Beethoven! The Audience Goes on Stage\". It is a stage with virtual musicians. Visitors are invited to enter, take the position of the musicians and listen to each of them at close range. The installation emulates the listening perspective of the musicians, thus, providing an uncommon experience to visitors who are mostly used to listen to music from recordings or from a concert audience's perspective. The musicians play Beethoven's septet op. 20 and its trio arrangement op. 38, two exclusive 14 channel music productions. Both versions are aligned and can be switched seamlessly. Digital music stands visualize the score. In this paper we trace the genesis and construction of the installation and point at some conceptual and technical challenges tackled.","lang":"eng"}],"author":[{"last_name":"Berndt","full_name":"Berndt, Axel","first_name":"Axel"},{"full_name":"Waloschek, Simon","last_name":"Waloschek","first_name":"Simon"},{"id":"58704","full_name":"Hadjakos, Aristotelis","last_name":"Hadjakos","first_name":"Aristotelis"},{"full_name":"Veit, Joachim","last_name":"Veit","first_name":"Joachim"}],"publication":"Proceedings of the 15th International Audio Mostly Conference","keyword":["Beethoven","Music","Artistic Installation"],"title":"Inside Beethoven!","user_id":"83781","editor":[{"first_name":"Katharina ","last_name":"Groß-Vogt","full_name":"Groß-Vogt, Katharina "}],"doi":"10.1145/3411109.3411115","language":[{"iso":"eng"}]},{"date_updated":"2023-03-15T13:50:18Z","place":"Lemgo","citation":{"bjps":"<b>Düchting A</b> (2016) <i>RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","chicago":"Düchting, Andre. <i>RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2016.","din1505-2-1":"<span style=\"font-variant:small-caps;\">Düchting, Andre</span>: <i>RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo : Hochschule Ostwestfalen-Lippe, 2016","apa":"Düchting, A. (2016). <i>RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","chicago-de":"Düchting, Andre. 2016. <i>RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","mla":"Düchting, Andre. <i>RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D</i>. Hochschule Ostwestfalen-Lippe, 2016.","havard":"A. Düchting, RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D, Hochschule Ostwestfalen-Lippe, Lemgo, 2016.","ufg":"<b>Düchting, Andre (2016)</b>: RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D, Lemgo.","ama":"Düchting A. <i>RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo: Hochschule Ostwestfalen-Lippe; 2016.","van":"Düchting A. RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D. Lemgo: Hochschule Ostwestfalen-Lippe; 2016. 100 p.","ieee":"A. Düchting, <i>RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2016.","short":"A. Düchting, RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D, Hochschule Ostwestfalen-Lippe, Lemgo, 2016."},"author":[{"first_name":"Andre","last_name":"Düchting","full_name":"Düchting, Andre","id":"44751"}],"keyword":["Rendering","NVIDIA","Iray","BRDF","BSDF","MDL","GI","AO","Shading","Lighting","Bidirektionale Reflektanzverteilungsfunktion","GI","Iray","Lichtregie","Music Description Language","NVIDIA Corporation (Santa Clara","Calif.)","Rendering"],"abstract":[{"lang":"ger","text":"Diese Masterarbeit befasst sich mit der Thematik des Renderings in MAXON Cinema 4D und der These, dass die neu entwickelte Rendersoftware NVIDIA® Iray® für den Anwender und für mittelständische Unternehmen effizienter ist als die schon integrierte physikalische Standard-Rendersoftware. Die Methoden und wichtigsten Parameter werden immer mit Bezug auf Iray® erläutert, sodass die Aussage der Anfangsthese im Fazit begründet oder widerlegt werden kann."},{"text":"In this paper I give a summary about the topic rendering in Cinema 4D. Functions and characteristics of rendering will be basically explained, so that the understanding of the methods and calculation is given. The focus based on the new developed rendering software NVIDIA® Iray® and on the thesis, if Iray® is more efficient for single users and medium-sized enterprises than the integrated standard rendering software. I demonstrate my examples and settings in pictures and experience from the practical part of this master thesis: Visualization of a product presentation for the new NVIDIA® VCA®. The manufacturing was realized with the NVIDIA® Iray® Beta 2.0 version for MAXON Cinema 4D R16.","lang":"eng"}],"has_accepted_license":"1","user_id":"15514","title":"RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D","language":[{"iso":"eng"}],"type":"master_thesis","ddc":["770"],"department":[{"_id":"DEP2001"}],"year":2016,"status":"public","date_created":"2019-04-11T06:31:17Z","file_date_updated":"2019-04-11T06:34:16Z","publisher":"Hochschule Ostwestfalen-Lippe","supervisor":[{"first_name":"Guido","last_name":"Falkemeier","full_name":"Falkemeier, Guido","id":"29084"},{"first_name":"Frank","id":"10784","full_name":"Lechtenberg, Frank","last_name":"Lechtenberg"}],"_id":"950","file":[{"creator":"hemke","access_level":"closed","content_type":"application/pdf","date_created":"2019-04-11T06:34:16Z","file_size":4977878,"date_updated":"2019-04-11T06:34:16Z","description":"Achtung Sperrvermerk!\nDiese Masterarbeit darf nicht veröffentlicht werden.\nAusnahmen bedürfen der schriftlichen Genehmigung der Firma NVIDIA®.","file_id":"951","file_name":"Masterarbeit_AndréDüchting_15251035_SS2016_RENDERING - mit Bezug auf NVIDIA Iray in Cinema 4D[komprimiert].pdf","relation":"main_file"}],"page":"100"},{"language":[{"iso":"eng"}],"user_id":"15514","title":"Binaural recording techniques in a popular music production","keyword":["binaural recording","3D sound","music production","Musikproduktion","Sound"],"author":[{"full_name":"Seserman, Angela-Nicoleta","last_name":"Seserman","first_name":"Angela-Nicoleta"}],"abstract":[{"text":"In the context of the increasing use of new portable evices, the potential of binaural recording techniques is being reconsidered. This kind of recording technique simulates human hearing and provides a 3D recording space, bringing in new mixing possibilities. For this paper, a song has been produced using inaural recording techniques and tested on a group of average listeners. The results suggest great potential for this technique for music production due to the 3D space that it brings but also significant limitation for commercial broadcasting.","lang":"eng"}],"has_accepted_license":"1","date_updated":"2023-03-15T13:49:34Z","citation":{"short":"A.-N. Seserman, Binaural Recording Techniques in a Popular Music Production, Hochschule Ostwestfalen-Lippe, Lemgo, 2012.","ieee":"A.-N. Seserman, <i>Binaural recording techniques in a popular music production</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2012.","van":"Seserman A-N. Binaural recording techniques in a popular music production. Lemgo: Hochschule Ostwestfalen-Lippe; 2012. 46 p.","ama":"Seserman A-N. <i>Binaural Recording Techniques in a Popular Music Production</i>. Lemgo: Hochschule Ostwestfalen-Lippe; 2012.","ufg":"<b>Seserman, Angela-Nicoleta (2012)</b>: Binaural recording techniques in a popular music production, Lemgo.","havard":"A.-N. Seserman, Binaural recording techniques in a popular music production, Hochschule Ostwestfalen-Lippe, Lemgo, 2012.","mla":"Seserman, Angela-Nicoleta. <i>Binaural Recording Techniques in a Popular Music Production</i>. Hochschule Ostwestfalen-Lippe, 2012.","chicago-de":"Seserman, Angela-Nicoleta. 2012. <i>Binaural recording techniques in a popular music production</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","apa":"Seserman, A.-N. (2012). <i>Binaural recording techniques in a popular music production</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","din1505-2-1":"<span style=\"font-variant:small-caps;\">Seserman, Angela-Nicoleta</span>: <i>Binaural recording techniques in a popular music production</i>. Lemgo : Hochschule Ostwestfalen-Lippe, 2012","chicago":"Seserman, Angela-Nicoleta. <i>Binaural Recording Techniques in a Popular Music Production</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2012.","bjps":"<b>Seserman A-N</b> (2012) <i>Binaural Recording Techniques in a Popular Music Production</i>. Lemgo: Hochschule Ostwestfalen-Lippe."},"place":"Lemgo","supervisor":[{"first_name":"Frank","id":"10784","full_name":"Lechtenberg, Frank","last_name":"Lechtenberg"},{"first_name":"Malte","full_name":"Kob, Malte","last_name":"Kob"}],"_id":"1045","file":[{"relation":"main_file","file_name":"Binaural_Recording_Techniques_in_a_Popular_Music_Production_Angela_Seserman_Master_Thesis.pdf","file_id":"1046","date_updated":"2019-04-16T09:17:52Z","file_size":3865227,"content_type":"application/pdf","date_created":"2019-04-16T09:17:52Z","creator":"hemke","access_level":"local"}],"page":"46","publisher":"Hochschule Ostwestfalen-Lippe","year":2012,"department":[{"_id":"DEP2001"}],"date_created":"2019-04-16T09:14:29Z","file_date_updated":"2019-04-16T09:17:52Z","status":"public","type":"master_thesis","ddc":["770"]},{"language":[{"iso":"eng"}],"title":"Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection","user_id":"45673","has_accepted_license":"1","abstract":[{"lang":"eng","text":"The aim of the project is to combine the knowledge of audio, video, interaction design and performing art into a media based content. A media worker without previous knowledge of electronics tends to achieve the task to work out the communication between media and interactive device. By means of an interactive installation, the technical and aesthetical opportunities are explored to find new ways to present the performance of musicians as well."}],"author":[{"last_name":"Hsieh","full_name":"Hsieh, Mong-Gan","first_name":"Mong-Gan"}],"keyword":["Visual Music","Mapping Projection","Interaction Design","Digital Performance","Audiovisual","Arduino","Pure Data"],"place":"Lemgo","citation":{"chicago":"Hsieh, Mong-Gan. <i>Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2010.","van":"Hsieh M-G. Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection. Lemgo: Hochschule Ostwestfalen-Lippe; 2010. 53 p.","ama":"Hsieh M-G. <i>Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe; 2010.","bjps":"<b>Hsieh M-G</b> (2010) <i>Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","chicago-de":"Hsieh, Mong-Gan. 2010. <i>Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","havard":"M.-G. Hsieh, Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection, Hochschule Ostwestfalen-Lippe, Lemgo, 2010.","ufg":"<b>Hsieh, Mong-Gan (2010)</b>: Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection, Lemgo.","short":"M.-G. Hsieh, Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection, Hochschule Ostwestfalen-Lippe, Lemgo, 2010.","mla":"Hsieh, Mong-Gan. <i>Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection</i>. Hochschule Ostwestfalen-Lippe, 2010.","apa":"Hsieh, M.-G. (2010). <i>Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","ieee":"M.-G. Hsieh, <i>Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2010.","din1505-2-1":"<span style=\"font-variant:small-caps;\">Hsieh, Mong-Gan</span>: <i>Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection</i>. Lemgo : Hochschule Ostwestfalen-Lippe, 2010"},"date_updated":"2023-03-15T13:49:35Z","file":[{"relation":"main_file","file_id":"1300","file_name":"Interactive_Audiovisual_Performance.pdf","title":"Interactive Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping Projection","date_updated":"2019-06-04T09:06:14Z","file_size":4182227,"content_type":"application/pdf","date_created":"2019-06-04T09:06:14Z","access_level":"closed","creator":"6bl-f5s"}],"page":"53","_id":"1299","supervisor":[{"first_name":"Guido","last_name":"Falkemeier","full_name":"Falkemeier, Guido","id":"29084"},{"full_name":"Schulze, Heizo","last_name":"Schulze","id":"29126","first_name":"Heizo"}],"publisher":"Hochschule Ostwestfalen-Lippe","status":"public","publication_status":"published","file_date_updated":"2019-06-04T09:06:14Z","date_created":"2019-06-04T09:06:43Z","department":[{"_id":"DEP2001"}],"year":2010,"ddc":["791"],"type":"master_thesis"}]