---
_id: '12857'
abstract:
- lang: eng
  text: On the occasion of the 250th anniversary celebrations of Ludwig van Beethoven
    in 2020, we developed the musical room installation "Inside Beethoven! The Audience
    Goes on Stage". It is a stage with virtual musicians. Visitors are invited to
    enter, take the position of the musicians and listen to each of them at close
    range. The installation emulates the listening perspective of the musicians, thus,
    providing an uncommon experience to visitors who are mostly used to listen to
    music from recordings or from a concert audience's perspective. The musicians
    play Beethoven's septet op. 20 and its trio arrangement op. 38, two exclusive
    14 channel music productions. Both versions are aligned and can be switched seamlessly.
    Digital music stands visualize the score. In this paper we trace the genesis and
    construction of the installation and point at some conceptual and technical challenges
    tackled.
alternative_title:
- a musical installation for a new listening perspective
author:
- first_name: Axel
  full_name: Berndt, Axel
  last_name: Berndt
- first_name: Simon
  full_name: Waloschek, Simon
  last_name: Waloschek
- first_name: Aristotelis
  full_name: Hadjakos, Aristotelis
  id: '58704'
  last_name: Hadjakos
- first_name: Joachim
  full_name: Veit, Joachim
  last_name: Veit
citation:
  ama: Berndt A, Waloschek S, Hadjakos A, Veit J. <i>Inside Beethoven!</i> (Groß-Vogt
    K, ed.). ACM; 2020:245-248. doi:<a href="https://doi.org/10.1145/3411109.3411115">10.1145/3411109.3411115</a>
  apa: Berndt, A., Waloschek, S., Hadjakos, A., &#38; Veit, J. (2020). Inside Beethoven!
    In K. Groß-Vogt (Ed.), <i>Proceedings of the 15th International Audio Mostly Conference</i>
    (pp. 245–248). ACM. <a href="https://doi.org/10.1145/3411109.3411115">https://doi.org/10.1145/3411109.3411115</a>
  bjps: '<b>Berndt A <i>et al.</i></b> (2020) <i>Inside Beethoven!</i>, Groß-Vogt
    K (ed.). New York, NY: ACM.'
  chicago: 'Berndt, Axel, Simon Waloschek, Aristotelis Hadjakos, and Joachim Veit.
    <i>Inside Beethoven!</i> Edited by Katharina  Groß-Vogt. <i>Proceedings of the
    15th International Audio Mostly Conference</i>. New York, NY: ACM, 2020. <a href="https://doi.org/10.1145/3411109.3411115">https://doi.org/10.1145/3411109.3411115</a>.'
  chicago-de: 'Berndt, Axel, Simon Waloschek, Aristotelis Hadjakos und Joachim Veit.
    2020. <i>Inside Beethoven!</i> Hg. von Katharina  Groß-Vogt. <i>Proceedings of
    the 15th International Audio Mostly Conference</i>. New York, NY: ACM. doi:<a
    href="https://doi.org/10.1145/3411109.3411115">10.1145/3411109.3411115</a>, .'
  din1505-2-1: '<span style="font-variant:small-caps;">Berndt, Axel</span> ; <span
    style="font-variant:small-caps;">Waloschek, Simon</span> ; <span style="font-variant:small-caps;">Hadjakos,
    Aristotelis</span> ; <span style="font-variant:small-caps;">Veit, Joachim</span>
    ; <span style="font-variant:small-caps;">Groß-Vogt, K.</span> (Hrsg.): <i>Inside
    Beethoven!</i> New York, NY : ACM, 2020'
  havard: A. Berndt, S. Waloschek, A. Hadjakos, J. Veit, Inside Beethoven!, ACM, New
    York, NY, 2020.
  ieee: 'A. Berndt, S. Waloschek, A. Hadjakos, and J. Veit, <i>Inside Beethoven!</i>
    New York, NY: ACM, 2020, pp. 245–248. doi: <a href="https://doi.org/10.1145/3411109.3411115">10.1145/3411109.3411115</a>.'
  mla: Berndt, Axel, et al. “Inside Beethoven!” <i>Proceedings of the 15th International
    Audio Mostly Conference</i>, edited by Katharina  Groß-Vogt, ACM, 2020, pp. 245–48,
    <a href="https://doi.org/10.1145/3411109.3411115">https://doi.org/10.1145/3411109.3411115</a>.
  short: A. Berndt, S. Waloschek, A. Hadjakos, J. Veit, Inside Beethoven!, ACM, New
    York, NY, 2020.
  ufg: '<b>Berndt, Axel u. a.</b>: Inside Beethoven!, hg. von Groß-Vogt, Katharina,
    New York, NY 2020.'
  van: 'Berndt A, Waloschek S, Hadjakos A, Veit J. Inside Beethoven! Groß-Vogt K,
    editor. Proceedings of the 15th International Audio Mostly Conference. New York,
    NY: ACM; 2020.'
conference:
  end_date: 2020-09-17
  location: Graz, AUSTRIA
  name: 15th International Audio Mostly Conference (AM)
  start_date: 2020-09-15
date_created: 2025-04-24T07:46:39Z
date_updated: 2025-06-26T09:01:06Z
department:
- _id: DEP2000
doi: 10.1145/3411109.3411115
editor:
- first_name: 'Katharina '
  full_name: 'Groß-Vogt, Katharina '
  last_name: Groß-Vogt
keyword:
- Beethoven
- Music
- Artistic Installation
language:
- iso: eng
page: 245-248
place: New York, NY
publication: Proceedings of the 15th International Audio Mostly Conference
publication_identifier:
  isbn:
  - 978-1-4503-7563-4
publication_status: published
publisher: ACM
status: public
title: Inside Beethoven!
type: conference_editor_article
user_id: '83781'
year: '2020'
...
---
_id: '950'
abstract:
- lang: ger
  text: Diese Masterarbeit befasst sich mit der Thematik des Renderings in MAXON Cinema
    4D und der These, dass die neu entwickelte Rendersoftware NVIDIA® Iray® für den
    Anwender und für mittelständische Unternehmen effizienter ist als die schon integrierte
    physikalische Standard-Rendersoftware. Die Methoden und wichtigsten Parameter
    werden immer mit Bezug auf Iray® erläutert, sodass die Aussage der Anfangsthese
    im Fazit begründet oder widerlegt werden kann.
- lang: eng
  text: 'In this paper I give a summary about the topic rendering in Cinema 4D. Functions
    and characteristics of rendering will be basically explained, so that the understanding
    of the methods and calculation is given. The focus based on the new developed
    rendering software NVIDIA® Iray® and on the thesis, if Iray® is more efficient
    for single users and medium-sized enterprises than the integrated standard rendering
    software. I demonstrate my examples and settings in pictures and experience from
    the practical part of this master thesis: Visualization of a product presentation
    for the new NVIDIA® VCA®. The manufacturing was realized with the NVIDIA® Iray®
    Beta 2.0 version for MAXON Cinema 4D R16.'
author:
- first_name: Andre
  full_name: Düchting, Andre
  id: '44751'
  last_name: Düchting
citation:
  ama: 'Düchting A. <i>RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo:
    Hochschule Ostwestfalen-Lippe; 2016.'
  apa: 'Düchting, A. (2016). <i>RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D</i>.
    Lemgo: Hochschule Ostwestfalen-Lippe.'
  bjps: '<b>Düchting A</b> (2016) <i>RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema
    4D</i>. Lemgo: Hochschule Ostwestfalen-Lippe.'
  chicago: 'Düchting, Andre. <i>RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D</i>.
    Lemgo: Hochschule Ostwestfalen-Lippe, 2016.'
  chicago-de: 'Düchting, Andre. 2016. <i>RENDERING mit Bezug auf NVIDIA® Iray® in
    Cinema 4D</i>. Lemgo: Hochschule Ostwestfalen-Lippe.'
  din1505-2-1: '<span style="font-variant:small-caps;">Düchting, Andre</span>: <i>RENDERING
    mit Bezug auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo : Hochschule Ostwestfalen-Lippe,
    2016'
  havard: A. Düchting, RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D, Hochschule
    Ostwestfalen-Lippe, Lemgo, 2016.
  ieee: 'A. Düchting, <i>RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D</i>. Lemgo:
    Hochschule Ostwestfalen-Lippe, 2016.'
  mla: Düchting, Andre. <i>RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D</i>.
    Hochschule Ostwestfalen-Lippe, 2016.
  short: A. Düchting, RENDERING Mit Bezug Auf NVIDIA® Iray® in Cinema 4D, Hochschule
    Ostwestfalen-Lippe, Lemgo, 2016.
  ufg: '<b>Düchting, Andre (2016)</b>: RENDERING mit Bezug auf NVIDIA® Iray® in Cinema
    4D, Lemgo.'
  van: 'Düchting A. RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D. Lemgo: Hochschule
    Ostwestfalen-Lippe; 2016. 100 p.'
date_created: 2019-04-11T06:31:17Z
date_updated: 2023-03-15T13:50:18Z
ddc:
- '770'
department:
- _id: DEP2001
file:
- access_level: closed
  content_type: application/pdf
  creator: hemke
  date_created: 2019-04-11T06:34:16Z
  date_updated: 2019-04-11T06:34:16Z
  description: |-
    Achtung Sperrvermerk!
    Diese Masterarbeit darf nicht veröffentlicht werden.
    Ausnahmen bedürfen der schriftlichen Genehmigung der Firma NVIDIA®.
  file_id: '951'
  file_name: Masterarbeit_AndréDüchting_15251035_SS2016_RENDERING - mit Bezug auf
    NVIDIA Iray in Cinema 4D[komprimiert].pdf
  file_size: 4977878
  relation: main_file
file_date_updated: 2019-04-11T06:34:16Z
has_accepted_license: '1'
keyword:
- Rendering
- NVIDIA
- Iray
- BRDF
- BSDF
- MDL
- GI
- AO
- Shading
- Lighting
- Bidirektionale Reflektanzverteilungsfunktion
- GI
- Iray
- Lichtregie
- Music Description Language
- NVIDIA Corporation (Santa Clara
- Calif.)
- Rendering
language:
- iso: eng
page: '100'
place: Lemgo
publisher: Hochschule Ostwestfalen-Lippe
status: public
supervisor:
- first_name: Guido
  full_name: Falkemeier, Guido
  id: '29084'
  last_name: Falkemeier
- first_name: Frank
  full_name: Lechtenberg, Frank
  id: '10784'
  last_name: Lechtenberg
title: RENDERING mit Bezug auf NVIDIA® Iray® in Cinema 4D
type: master_thesis
user_id: '15514'
year: 2016
...
---
_id: '1045'
abstract:
- lang: eng
  text: In the context of the increasing use of new portable evices, the potential
    of binaural recording techniques is being reconsidered. This kind of recording
    technique simulates human hearing and provides a 3D recording space, bringing
    in new mixing possibilities. For this paper, a song has been produced using inaural
    recording techniques and tested on a group of average listeners. The results suggest
    great potential for this technique for music production due to the 3D space that
    it brings but also significant limitation for commercial broadcasting.
author:
- first_name: Angela-Nicoleta
  full_name: Seserman, Angela-Nicoleta
  last_name: Seserman
citation:
  ama: 'Seserman A-N. <i>Binaural Recording Techniques in a Popular Music Production</i>.
    Lemgo: Hochschule Ostwestfalen-Lippe; 2012.'
  apa: 'Seserman, A.-N. (2012). <i>Binaural recording techniques in a popular music
    production</i>. Lemgo: Hochschule Ostwestfalen-Lippe.'
  bjps: '<b>Seserman A-N</b> (2012) <i>Binaural Recording Techniques in a Popular
    Music Production</i>. Lemgo: Hochschule Ostwestfalen-Lippe.'
  chicago: 'Seserman, Angela-Nicoleta. <i>Binaural Recording Techniques in a Popular
    Music Production</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2012.'
  chicago-de: 'Seserman, Angela-Nicoleta. 2012. <i>Binaural recording techniques in
    a popular music production</i>. Lemgo: Hochschule Ostwestfalen-Lippe.'
  din1505-2-1: '<span style="font-variant:small-caps;">Seserman, Angela-Nicoleta</span>:
    <i>Binaural recording techniques in a popular music production</i>. Lemgo : Hochschule
    Ostwestfalen-Lippe, 2012'
  havard: A.-N. Seserman, Binaural recording techniques in a popular music production,
    Hochschule Ostwestfalen-Lippe, Lemgo, 2012.
  ieee: 'A.-N. Seserman, <i>Binaural recording techniques in a popular music production</i>.
    Lemgo: Hochschule Ostwestfalen-Lippe, 2012.'
  mla: Seserman, Angela-Nicoleta. <i>Binaural Recording Techniques in a Popular Music
    Production</i>. Hochschule Ostwestfalen-Lippe, 2012.
  short: A.-N. Seserman, Binaural Recording Techniques in a Popular Music Production,
    Hochschule Ostwestfalen-Lippe, Lemgo, 2012.
  ufg: '<b>Seserman, Angela-Nicoleta (2012)</b>: Binaural recording techniques in
    a popular music production, Lemgo.'
  van: 'Seserman A-N. Binaural recording techniques in a popular music production.
    Lemgo: Hochschule Ostwestfalen-Lippe; 2012. 46 p.'
date_created: 2019-04-16T09:14:29Z
date_updated: 2023-03-15T13:49:34Z
ddc:
- '770'
department:
- _id: DEP2001
file:
- access_level: local
  content_type: application/pdf
  creator: hemke
  date_created: 2019-04-16T09:17:52Z
  date_updated: 2019-04-16T09:17:52Z
  file_id: '1046'
  file_name: Binaural_Recording_Techniques_in_a_Popular_Music_Production_Angela_Seserman_Master_Thesis.pdf
  file_size: 3865227
  relation: main_file
file_date_updated: 2019-04-16T09:17:52Z
has_accepted_license: '1'
keyword:
- binaural recording
- 3D sound
- music production
- Musikproduktion
- Sound
language:
- iso: eng
page: '46'
place: Lemgo
publisher: Hochschule Ostwestfalen-Lippe
status: public
supervisor:
- first_name: Frank
  full_name: Lechtenberg, Frank
  id: '10784'
  last_name: Lechtenberg
- first_name: Malte
  full_name: Kob, Malte
  last_name: Kob
title: Binaural recording techniques in a popular music production
type: master_thesis
user_id: '15514'
year: 2012
...
---
_id: '1299'
abstract:
- lang: eng
  text: The aim of the project is to combine the knowledge of audio, video, interaction
    design and performing art into a media based content. A media worker without previous
    knowledge of electronics tends to achieve the task to work out the communication
    between media and interactive device. By means of an interactive installation,
    the technical and aesthetical opportunities are explored to find new ways to present
    the performance of musicians as well.
author:
- first_name: Mong-Gan
  full_name: Hsieh, Mong-Gan
  last_name: Hsieh
citation:
  ama: 'Hsieh M-G. <i>Interactive Audiovisual Performance : Realtime Interaction with
    Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe;
    2010.'
  apa: 'Hsieh, M.-G. (2010). <i>Interactive Audiovisual Performance : Realtime Interaction
    with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe.'
  bjps: '<b>Hsieh M-G</b> (2010) <i>Interactive Audiovisual Performance : Realtime
    Interaction with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule
    Ostwestfalen-Lippe.'
  chicago: 'Hsieh, Mong-Gan. <i>Interactive Audiovisual Performance : Realtime Interaction
    with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe,
    2010.'
  chicago-de: 'Hsieh, Mong-Gan. 2010. <i>Interactive Audiovisual Performance : Realtime
    Interaction with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule
    Ostwestfalen-Lippe.'
  din1505-2-1: '<span style="font-variant:small-caps;">Hsieh, Mong-Gan</span>: <i>Interactive
    Audiovisual Performance : Realtime Interaction with Improvising Music and Mapping
    Projection</i>. Lemgo : Hochschule Ostwestfalen-Lippe, 2010'
  havard: 'M.-G. Hsieh, Interactive Audiovisual Performance : Realtime Interaction
    with Improvising Music and Mapping Projection, Hochschule Ostwestfalen-Lippe,
    Lemgo, 2010.'
  ieee: 'M.-G. Hsieh, <i>Interactive Audiovisual Performance : Realtime Interaction
    with Improvising Music and Mapping Projection</i>. Lemgo: Hochschule Ostwestfalen-Lippe,
    2010.'
  mla: 'Hsieh, Mong-Gan. <i>Interactive Audiovisual Performance : Realtime Interaction
    with Improvising Music and Mapping Projection</i>. Hochschule Ostwestfalen-Lippe,
    2010.'
  short: 'M.-G. Hsieh, Interactive Audiovisual Performance : Realtime Interaction
    with Improvising Music and Mapping Projection, Hochschule Ostwestfalen-Lippe,
    Lemgo, 2010.'
  ufg: '<b>Hsieh, Mong-Gan (2010)</b>: Interactive Audiovisual Performance : Realtime
    Interaction with Improvising Music and Mapping Projection, Lemgo.'
  van: 'Hsieh M-G. Interactive Audiovisual Performance : Realtime Interaction with
    Improvising Music and Mapping Projection. Lemgo: Hochschule Ostwestfalen-Lippe;
    2010. 53 p.'
date_created: 2019-06-04T09:06:43Z
date_updated: 2023-03-15T13:49:35Z
ddc:
- '791'
department:
- _id: DEP2001
file:
- access_level: closed
  content_type: application/pdf
  creator: 6bl-f5s
  date_created: 2019-06-04T09:06:14Z
  date_updated: 2019-06-04T09:06:14Z
  file_id: '1300'
  file_name: Interactive_Audiovisual_Performance.pdf
  file_size: 4182227
  relation: main_file
  title: 'Interactive Audiovisual Performance : Realtime Interaction with Improvising
    Music and Mapping Projection'
file_date_updated: 2019-06-04T09:06:14Z
has_accepted_license: '1'
keyword:
- Visual Music
- Mapping Projection
- Interaction Design
- Digital Performance
- Audiovisual
- Arduino
- Pure Data
language:
- iso: eng
page: '53'
place: Lemgo
publication_status: published
publisher: Hochschule Ostwestfalen-Lippe
status: public
supervisor:
- first_name: Guido
  full_name: Falkemeier, Guido
  id: '29084'
  last_name: Falkemeier
- first_name: Heizo
  full_name: Schulze, Heizo
  id: '29126'
  last_name: Schulze
title: 'Interactive Audiovisual Performance : Realtime Interaction with Improvising
  Music and Mapping Projection'
type: master_thesis
user_id: '45673'
year: 2010
...